Endless Reference
Showing posts with label vid ref. Show all posts
Showing posts with label vid ref. Show all posts
Thursday, March 17, 2016
Monday, March 14, 2016
Lauren O'connell Mouth shapes
check out the assymetrical mouth poses.
side note, I think her music's nice too
Wednesday, December 30, 2015
Tuesday, September 8, 2015
Monday, May 5, 2014
Wednesday, February 5, 2014
Cameron Fielding on using Reference
Cameron Fielding did a talk at the pixel challenge conference a while back. Pretty interesting.
Cameron Fielding - Using reference from iAnimate on Vimeo.
what's important to look at (when looking at ref)
forget about "what pictures do I need to understand this" (don't worry about antic and follow thru poses and stuff)
walt stanchfield's books, you look at the model once and then not again and you try and draw what struck you as important from their pose
we have to apply this exact same idea to reference
go through the ref picking out still frames to describe the video (like you were going to make a photo comic book of the ref)
not looking for story poses or extremes, looking for the things that make you want to animate the shot
these are the poses you are going to milk later, you are going to try the hardest to preserve these when your polishing
drawing helps to dispel mystery:
draw your first impression poses, it reveals to yourself what it is you like about the pose, you'll find yourself drawing the same bit over and over
you're trying to find what it is that's a struggle to draw, the thing you can't quite get is what you love about it, it'll give you a solid understanding of what part to focus on and is important when you take it to 3D
* found on animator's resource (which I just found and is full of gold)
Cameron Fielding - Using reference from iAnimate on Vimeo.
what's important to look at (when looking at ref)
forget about "what pictures do I need to understand this" (don't worry about antic and follow thru poses and stuff)
walt stanchfield's books, you look at the model once and then not again and you try and draw what struck you as important from their pose
we have to apply this exact same idea to reference
go through the ref picking out still frames to describe the video (like you were going to make a photo comic book of the ref)
not looking for story poses or extremes, looking for the things that make you want to animate the shot
these are the poses you are going to milk later, you are going to try the hardest to preserve these when your polishing
drawing helps to dispel mystery:
draw your first impression poses, it reveals to yourself what it is you like about the pose, you'll find yourself drawing the same bit over and over
you're trying to find what it is that's a struggle to draw, the thing you can't quite get is what you love about it, it'll give you a solid understanding of what part to focus on and is important when you take it to 3D
* found on animator's resource (which I just found and is full of gold)
Tuesday, February 12, 2013
Sunday, February 10, 2013
Thursday, January 3, 2013
BeatBox Facial Flesh
good reference for how much flex is in the face, which is the subtle stuff you have to put in to keep things from feeling plastic
Thursday, August 2, 2012
Monday, January 23, 2012
Hands Vid Ref
hands can be supremely emotive but seem to not be tapped for their full potential. Here's an over the top video that may have some ideas
so far best animated example I have seen is from Florin Toma (who I can't find anything about)
*
found at puppetvision.info blog
so far best animated example I have seen is from Florin Toma (who I can't find anything about)
Hands-FINAL from Florin Toma on Vimeo.
*
found at puppetvision.info blog
Tuesday, August 30, 2011
Wednesday, August 10, 2011
FPS Russia
Awesome sauce. Um, we'll file this under reference, in case you ever need someone shooting,anything. Love his attitude and accent.
Impressions Jim Meskimen
Jim Meskimen
* found by Jesse Rignall @ 11second club
as Jesse pointed out, great for mouth shape, facial shapes, and head accent timing
* found by Jesse Rignall @ 11second club
as Jesse pointed out, great for mouth shape, facial shapes, and head accent timing
Tuesday, August 9, 2011
Horse=Brick

horse cheat sheet by Emma Coats from her twitter
and since we're at it, Gurney had thrown up this cheat sheet from Spirit days (though I don't think he was involved)


Monday, August 1, 2011
Thursday, July 28, 2011
Tuesday, July 26, 2011
Choppin Brocoli
over the top, but still, lots of possibilities for stuff to throw into lipsynch or facial ticks
Tuesday, July 19, 2011
Boxers - Nicolai Howalt

PhotographerNicolai Howalt. Something about these images, taken right before and right after a match, some inarticulatable difference between the two shots. Somehow you can tell that some life was lived. Maybe it's just Kuleshov effect. Really interesting.
*found by flooby noob
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