Ran across this lecture by comic artist Lucy Bellwood
will get you pumped up to go create.
and her notes from it
and then notes I took listening
no aspriring, you're doing it or you're not doing it
(ala yoda do or do not, there is no try)
and business cards are secret validity, Joe Schmoe comic artist on a card proves that you are
pay attention to the stuff the consumes you and you lose track of what you're doing,
that's what people will be into when you bring it
like razor scooters, they had a phase in the 90's but if you are super passionate about
it you can bring it back with your passion
lack of time, fear of failure, lack of energy, I'm not good enough
vs
don't wait until your ready or good enough, you will never be good enough or ready
enough, do it now do the best with what you have
when you feel down about your work right now, think about what 9 year old you would think of you now
done is beautiful, don't nitpick it and try and make it perfect, just get it out in the world
easiest way to finish is to make it small
it doesn't have to be perfect or beautiful, it just needs to be done
don't overinvest in people who give advice, just do the work
ways to trick yourself into work:
micromovements
break it down as small as you can (day one get a pencil and put it next to the piece of
paper done for the day) you trick yourself into getting going because you are frustrated
at the stupid slow pace
pomodoro technique
egg timer for 25 minutes, choose a task with no interuptions and just focus, work on this
comic page for 25 minutes, when timer goes off stop what you're doing set timer for 5
minutes and goof off, then another 25 minutes
boxsheets
grid of the steps you need to do, basically a check off list for everything
includes milestones for "celebrate"
limits
work with limits hourly comics day or 24 hour comics day
consistency
if you have a lot of stuff happening make a boxsheet really easy like "have to do 1 thing
comic related everyday" to give yourself a way to start checking off boxes, once you have
a line of checked boxes you'll find yourself wanting to keep it going, you're building a
postive comic creating habit
community
find a group of people trying to do what you do to keep yourself inspired
meet people, find people, be friendly, you never know when someone who knows someone has
a thing that'd be an awesome project for you
omnivore
be an omnivore, the more you bring all the different facets of your life that youre
passionate about into your work the more interesting your work will be
Steal like an Artist by Austin Kleon (being creative in a distracting digital age)
How do you get Money at this?
get a website presence, if they look for you on google you need to be findable
do good work and share it with people
people die from "exposure" don't do work for it as payment
talk to your peers, raise your rates (if you do you'll get more work,weird stuff)
resources comics expirience, behance, illustrators market,
stop doing stuff you hate, you can make just as little money doing what you love as what you hate, you can actually make money doing what you like
Martha Graham to Agnes de Mille (one of my favorite quotes of all time):
“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. … No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”
(which is why the 9 year old perspective is good to have to so keep 'em both)
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